With an almost unbelievable line-up of North America’s most prestigious hip-hop artists, the festival got off to a surprisingly slow start due to low ticket sales. However, word that the ticket prices had been slashed to half-price soon got around, and whatever bumps were felt at the beginning of this journey were soothed in the end, with satisfied fans taking with them the memory of powerful performances. The festival showcased local performers Keshia Chante, Jellestone, Jully Black and Kardinal Offishall. They had the opportunity to rub shoulders with hip-hop heavyweights Ludacris, Kanye West, Mos Def and Nas. Though support for Canadian acts could have been better, a soul performance by Jully black made one proud of their hometown. Because of technical difficulties, artists like Keshia weren’t able to give 100%. Mr. X, formerly Little X, was acknowledged as the creative director for Getting Up and congratulated for his efforts.
The festival focused on all the elements of hip-hop culture beyond the music. Graffiti, artists, DJs, freestylers, emcees, b-boys and video vixens all had their time to shine. And if that wasn’t enough activity to keep any A.D.D hip-hop junky busy, there was the auto show, sneaker expo and V.I.P lounges providing more than enough entertainment. Cool points must be given for the diverse and entertaining activities available at every corner of the Docks, one stand-out feature of the festival was the “Players Club” where attendees could preview Marc Ecko’s new video game “Getting up: Contents under pressure”, which educates players on the art of graffiti. Rosario Dawson and Talib Kweli are featured as the female and male characters in the game. This, along with other Atari and Playstation games, was available for attendees to try out.
On the musical tip, the standout performance for the entire festival event was the god’s son. Nas’ set was stunning, and his performance of “One Mic” had every soul mesmerized. His followers raised their lighters and cell phones in adoration, waving at his command and leaving little doubt that he is indeed the street’s disciple. In the end, he left us all chanting, “Braveheart.”
Fat Joe was all thugged out, ending with his 50-Cent diss track, and Mos Def kept it cool, providing a rousing performance of “Umi Says” and a crowd-pleasing freestyle.
Busta “Buss-a—buss” Rhymes was a little disappointing. Perhaps the crowd was busy floating on a Nas high, but the energy just wasn’t felt throughout his performance.
Ciara and her dancers kept the crowd transfixed. Her moves were well executed, and despite her late arrival, the T-dot crowd showed her much love. LiL’ Jon, Mr. Yeahhhhhhhhh!! kept it, Crunk, as expected, but did the unexpected when he took us back to his roots doing his dance-hall DJ set. He also appeared at the back of the crowd after a hilarious Dave Chappelle/Chris Rock/Usher video introduction for “Lovers and Friends.”
More surprises were had with the appearance of LiL’ scrappy, who had women screaming with his antics “sacrificing” his body by throwing himself into the crowds of lust-crazed women. Kanye was his usually witty self. He kept us waiting but was worth it giving the crowd “Diamonds from Sierra Leone” to open his set. Getting Up had its ups and downs, but with great performances nonetheless. Hopefully, the T-dot will have more of the same next summer.
