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Harbourfront Centre’s KUUMBA, presented by TD Bank Group through the TD Ready Commitment, is Toronto’s largest and longest-running Black Futures Month festival, embracing the rich tapestry of culture, diversity and creativity through a month-long celebration of Black cultural programming. Running from February 1–29, 2024

Phemphat was formed in 1995 and has produced “Honey Jam” for the past ten years. Honey Jam has been the launching pad for many promising artists, with Nelly Furtado, Jully Black and Tara Chase being just a few of its successful alumni. The host of the original Honey Jam, Michie Mee, was back to host the show. She also treated the crowd to a raunchy and beat-filled set at the end of the show. She showed us that she still got it with a rousing performance. Her stage show was also memorable, with a crowd-pleasing routine by the Baby Boy dance crew. A metaphor, perhaps, as to how Honey Jam has come full circle while no doubt looking out to a bright future. Tara Chase remembers Ebonnie Rowe's earnest work ethic and determination back in the early days, which helped her share her vision. "I knew she was not playing," Chase adds. Looking to the future, Jully Black hopes to see an increased injection of Honey Jam's infectious spirit across the community all year round. She believes that Honey Jam can "bridge the gap so all generations are aware of the Honey Jam legacy."

Judging from the crowd, Jully Black's wish is coming true. The diverse crowd which came out reflected how far the event has come. And they sure got their money's worth. The line-up for the evening included Belle, Cali, Jillian Cameron, Dessy Di Lauro, Kellylee Evans, Eklectic Soul, Frankee & Jade, Joy Lapps, Martha Joy Lim, Michelle Lindo, Lori Nuic, Nikki Ponte, Verbal Sweetness, Tasha T and Renee Wynter who provided a stirring rendition of the upbeat track “Beautiful World” with the help of the Philosopher Kings guitarist James Bryan.

Joy Lapps’ performance was especially unique, using the steel pan to re-create contemporary hits. There were hits and a few misses, but all the artists were embraced in the spirit of support that is an integral part of the Honey Jam experience. In addition to Joy Lapps' dizzying steel-pan performance, other major hits which brought great applause from the crowd were the amazing dance choreographies, an ambitious but very successful attempt at belting out a Whitney Houston tune, and much more. Can't wait 'till next year.

The winner of the showcase was Lori Nuic, whose powerful vocal ability foretells a bright future. She will be provided with Saukrates's much sought-after production skills.

 
 
>> Joy Lapps performs an electrifying steel-pan rendition of Bel Biv Devoe's old-school hit "Poison"

It's good to see that the showcase also offers concrete ways for these emerging artists to move above and beyond. From a $1,500 guitar giveaway to a promising performer to that golden chance to work with someone of Saukrates' calibre. Judging from the success of Honey Jam's alumni thus far, we will certainly hear more about some of last week-end's performers in the future.

It's an undeniable fact that Toronto holds an amazing pool of talent. We need to have venues and avenues such as this to showcase what our city has to offer.

It was an evening of celebration ending with a jam session, during which each artist free-styled to R&B steel-pan, hip-hop, and reggae rhythms, a diverse buffet fit for the most discerning of musical palates. Congratulations to Honey Jam on ten inspirational years.

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