A pioneer in black film-making, a world-renowned photographer, an accomplished author and composer, there aren’t enough descriptions for this Renaissance Man. Many of us will be familiar with his work as a photojournalist with LIFE magazine, but his photos were more than pictures in a magazine. These powerful images are recognized for giving a visual account of the civil rights movement. As a staff photographer with LIFE, he spreads on gangs in Harlem, Black Muslims, Muhammad Ali, the Black Panther Party, and various celebrities, capturing at once the poverty and beauty of black power, images which have left a mark on Black History.

My fascination with Gordon Parks began in my 3rd year of University through an introduction to his books “A Choice of Weapons” and “To Smile in Autumn” autobiographies, which showcase some of his most powerful photos.

His story is about triumph over poverty, of the will not only to survive but also to succeed. He is an inspiration to many not only because of his works’ popularity but also because he defied the odds in a society where the odds are still against young black men. Watching our budding visionaries hunt each other has made it clear that now risking your neck for your brother is passé.

Gordon Parks took risks for his people and won. His signature photograph, “American Gothic," shows Ms. Ella Watson standing in front of the American flag, holding a broom and a mop. This is in marked contrast to Grant Wood's “American Gothic,” which features a farmer with a pitchfork and his wife standing in front of their farmhouse. It was ingenious, and it was controversial at the time: a scathing commentary on the treatment of African Americans. This image would go on to become the symbol of the pre-civil rights era's treatment of minorities.